Why I’ll Never Put A Lily At My Mother’s Grave

LaurelHillcrop

When I was married, I gifted with great ceremony white lilies to three older women that I loved. My blood mother. My stepmother. My mother-in-law. I carried the long and elegant stems across the pebbles toward their wooden folding chairs.

All three of them died young. Cancer, cancer, and a freakish surprise sort of thing called septicemia. I wish someone had told me lilies were the flower of the dead.

How does one go about honoring a woman, anyway? There’s a blank space here, in the instructions. Because honor which women? The ones who screamed and struggled and barely made it through? Or the pretty pictures on the mantelpiece?

Do I honor them alive? Or do I honor them dead?

I have backhanded real women in both directions. I have showed too much of the mud of their lives, and too little.

I don’t want to offer you a tale of diamonds, when the women I loved were worn by rocky lives and sun and cigarettes. I don’t want to hand you a picture of long stemmed flowers, when the women who taught me life wore pajamas all day and made people really, really mad at them…and survived.

But I don’t want to betray their silences, either. I don’t want to give the world any more ammunition for judgment or rebuke.    

Women come into this world already compromised. Which one of a woman do you honor? The shell she wears for protection? Or the interior landscape, where her femininity is simultaneously strength and wound?

I was twenty-three when I was married, and making it all up as I went along. I wanted a romantic version of mother-to-daughter lineage. I wanted to honor it beautiful, and sweet, like a movie. I wanted to check it off like a thing on my list. “Honor your father and mother.” See? I did that. Right here. It’s in the program.

I was twenty-three when I was married, and also, somewhere deep inside, I wanted to put the older women in their place.

Thank God it couldn’t be done. The women who received my lilies were all troublemakers, every one of them, at some point or another. One of them defied her parents, another an abusive husband, a third basically the whole of polite society. They carried their children through and out of their own wounds. I wish I had them all right here, right now, I’d suck just a little more of the sweet energy of their powerful surviving.  

Which one of a woman do you praise? The box society would keep her in? Or all the ways in which she fails to disappear?  

Do you honor her dead? Or do you honor her alive?

I’d never leave another lily on my mother’s grave. I’d raise chickens there. I’d give her a blessing of goat pies. I’d collect 1000 signatures to protest a nuclear waste dump. For my stepmother, I’d clean the place within an inch of its life and feed every soul within five miles. For my mother-in-law, a carton of cigarettes and five pounds of peanut M&M’s.

Oh, but never mind. To tell the truth they were all three of them cremated. We’ll have to have the party at my place.

But party we will. I will honor first their living, second their surviving, and last or not at all the cages they endured.  

This is how I will honor a woman. By raising her statue standing: hands raised, feet moving, mouth streaming voice instead of silence.

Esther Emery

Esther Emery

Esther lives with her husband and three children on three acres of Idaho mountainside, in a yurt her husband designed and built himself. She's out there in pursuit of self-sufficiency, integrity living and solidarity economy.
Esther Emery
  • This is so beautiful. Such a lot that this stirs up in me, but I can’t articulate it – so I’ll just have to go with – this is beautiful.

  • Pingback: Why I’ll Never Put a Lily At My Mother’s Grave (at the Mudroom) | Esther Emery()

  • Lilies symbolize lots of other things, too. Your ritual was loving and I am sure your mothers were blessed by you.

    • Thank you, Laurna. I think that is true. Love is love and imperfect expressions of it are better than none.

  • pastordt

    Yes, and AMEN. Thanks, Esther.

  • It’s really touching how you blend the gorgeous and the gritty all together like that. Makes me feel like there’s a little more freedom in this world. A little more space for imperfections. A lot, oh, a whole lot more grace.

  • Faith, hope and reality

    I love this. it says so, so much and leaves me full and thinking and wondering what it really would look like to properly honour women in my life whilst they are very much still alive.

  • This resonates so deeply with me, Esther, as I try to write about my mother now. She was my best friend, and we had a deep bond and love, and she lit every room she walked into. But she wasn’t perfect, and she was a trouble maker in her own right. And if she were alive now, I have a feeling we’d disagree about a lot of things. How do I honor all of it honestly? The bitter and the sweet? Especially when I think about the narratives that my other family members have of our collective experiences? It’s such a messy process, and probably part of why I haven’t visited my own mother’s grave in more than a year.

    • Yes, yes, yes. Some of this is emerging from the dangerous women theme. Somehow to awaken the dangerous woman in me I have to tap in to that part of my mother. Even though the major key of our conflict was always suppressing or disrespecting the radical in one another. Now I have a 5yo girl who kicks and spits and tries to tell everybody what to do, and which one of her do I honor? Right? There’s a lot of sensitive, wounded space here, worth touching very gently.